Products - Broadcast & ProAV

17.8 cm (7 inches) LCD Color Viewfinder

Full HD OLED Color Viewfinder

The AJ-CVF25GJ color viewfinder is newly developed 8.76 cm (3.45 inches) color LCD with approximately 2,760,000-dot resolution and 16:9 aspect ratio, which enables to adjust focus easily. In addition to a normal viewfinder type of usage, the AJ-CVF25GJ serves as an LCD monitor to shoot when opening its eyepiece. The AJ-CVF25GJ can also be opened sideway and used as side panel LCD monitor. The AJ-CVF25GJ is almost the same weight and size of the conventional HD viewfinder and supports Panasonic broadcasting and professional camera recorders and studio handy cameras

The model KST-WM-HE40/UE70 is  available in both, black (KST-WM-HE40/UE70-B) and white (KST-WM-HE40/UE70-W), and is compatible with the AW-HE40 models and the 4K remote camera AW-UE70 

The AJ-PS001 plug-in for Avid Media Composer enables the AVC-Proxy Re-Link feature.

AJ-PS002 plug-in for Avid Media Composer and Avid News Cutter activates the AVC-Intra Export feature, which allows the user to export AVC-Intra 100/50 clips.

The AJ-PS003 plug-in for Avid Media Composer and Avid News Cutter enables the AVC-LongG Export feature.

The AU-VCVF20GJ Viewfinders is successor to the AU-VCVF10G VariCam Viewfinders, which are highly acclaimed in the cinema production industry. The addition of a newly developed 1080p OLED panel has enabled a high-definition (1920x1080) display. This combines with low latency and sharp, accurate colors to meet the high-end needs of the movie industry for uncompromising image creation. A large-diameter 38-mm eyepiece lens and wide field angle with viewfinder magnification of 0.78x, which are popular with current models, achieve comfortable viewing with Panasonic's unique optical zoom lens inside the viewfinder. Versatile exposure assist and focus assist tools are also featured. Panasonic will continue contributing to video production advances by developing equipment and systems that respond to the needs of the cinema production industry, which is expanding on a global scale. The company will also contribute by supporting high-quality image content as well as efficient production operation.

The AU-VCVF2GJ Viewfinder is successor to the current AU-VCVF1G VariCam Viewfinders, which are highly acclaimed in the cinema production industry. The addition of a newly developed 1080p OLED panel has enabled a high-definition (1920x1080) display. This combines with low latency and sharp, accurate colors to meet the high-end needs of the movie industry for uncompromising image creation. A large-diameter 38-mm eyepiece lens and wide field angle with viewfinder magnification of 0.78x, which are popular with current models, achieve comfortable viewing with Panasonic's unique optical zoom lens inside the viewfinder. Versatile exposure assist and focus assist tools are also featured. Panasonic will continue contributing to video production advances by developing equipment and systems that respond to the needs of the cinema production industry, which is expanding on a global scale. The company will also contribute by supporting high-quality image content as well as efficient production operation.

Microphone Holder

AJ-CVF50GJ HD Viewfinder The AJ-CVF50G 1,5-type HD viewfinder supports the P2 HD series and Studio Cameras. It is equipped with a 1,5-type display which is suitable for a viewfinder.It adopts a new device capable of continuous image display without causing burn-in, which enables users to see the entire picture on the viewfinder at all times, even with their eyes at a distance from the viewfinder.Among the various functions of the CVF50 developed for smooth recording are the quick response suitable for recording sport events and one-touch switching of monochrome and colour mode. Low MagnificationThe use of a large 1,5-type device means lower magnification on the eyepiece. Users can easily see images at any position of their eyes without causing unintended magnification, making it easy to view the entire picture at all times. There is no need to open and close the lens barrel or move the visual point between the LCD and viewfinder.Avoid Burn-inThe newly equipped device does not have burn-in for lifetime. Since images can be displayed continuously, users are able to check the video image through the viewfinder at all times.Quick ResponseThe display achieves high-speed response as fast as CRT and OLED, which is suitable for recording sports events where fast moving subjects need to be captured.One-touch SwitchingUsers can switch between monochrome and colour mode with a single touch of the front button.

RobyHead D1 is a classic Pan/Tilt solution for professional broadcasting, as well as for stationary use in studios, theatres, conference halls and stadiums.The head is specially designed to work with 4K cameras providing 4x3G SDI, 12G SDI and 2xFiber connections for the camera signals. The most typical payload for the head would be a box-size camera, but it has enough power to carry studio cameras and has connections for a prompter at the front. The head has a rigid and stylish carbon-fibre body and provides smooth and precise movements. An integrated power supply simplifies camera connections.RobyHead D1 may be controlled via IP or serial interface, so it can be easily integrated into studio infrastructure or outside broadcast venue and used in remote production.