Broadcast & ProAV

IT/IP-centric platform based on an open software architecture that will bring ground-breaking innovations to many markets in the video industry, starting with a very powerful broadcast video switcher.

The main unit is equipped with an abundance of inputs and outputs for great system integration that includes 32 SDI and 2 DVI inputs plus 16 SDI outputs. 4 DVEs per ME enable diverse transitions when producing creative video in demanding fast-paced situations. Three types of control panels can be used. C1 and C2 panels offer 24 XPT buttons and 4 pages and allow easy switching among 96 total crosspoints. The compact panel C4 is 30% shorter than the C1/C2 version and offers an easier integration into small studios and OB Vans.

The 4K Live Switcher is easy to use in a variety of applications, such as event staging, broadcast at stations and OB vans, lectures at universities, conference halls and so on, demonstrating incredible performance in live video production on the field.

PanaTrack is a bendable camera slider that enables fast conversion from linear to curved camera tracks with one device. Within seconds the system can be changed from a linear to a curved slider at any desired radius.

Many TV and Radio Stations already use several PTZ cameras. However, Tecnopoint is proud to introduce the first track systems totally integrated with the original PTZ cameras. With the "Tuning S" software you can manage both the positioning and movements of the PTZ easily with the thumbnail picture storage. The "Tuning S" software can also be used to improve the managing of the PTZ. With the integration of the dolly and column movements, it is then possible to add unbelievable performance to the studio movements. With the additional panel, DC1 0 is possible to drive the dollies and the columns, making it possible to recreate the results of a sophisticated broadcast studio.

The Panapod is an elevation unit specifically designed for Panasonic PTZ cameras. The elevation unit can be used as a standalone system on a stage, in a studio, behind a goal, in a conference venue, or in a press conference, to provide an unobtrusive camera position that is great for the spectators whilst not interfering with the artists, players’ action, presenters or the sequence being shot.

RobyHead D1 is a classic Pan/Tilt solution for professional broadcasting, as well as for stationary use in studios, theatres, conference halls and stadiums.The head is specially designed to work with 4K cameras providing 4x3G SDI, 12G SDI and 2xFiber connections for the camera signals. The most typical payload for the head would be a box-size camera, but it has enough power to carry studio cameras and has connections for a prompter at the front. The head has a rigid and stylish carbon-fibre body and provides smooth and precise movements. An integrated power supply simplifies camera connections.RobyHead D1 may be controlled via IP or serial interface, so it can be easily integrated into studio infrastructure or outside broadcast venue and used in remote production.

The model KST-WM-HE40/UE70 is  available in both, black (KST-WM-HE40/UE70-B) and white (KST-WM-HE40/UE70-W), and is compatible with the AW-HE40 models and the 4K remote camera AW-UE70 

The model KST-WM-HE40/UE70 is  available in both, black (KST-WM-HE40/UE70-B) and white (KST-WM-HE40/UE70-W), and is compatible with the AW-HE40 models and the 4K remote camera AW-UE70