Products - Broadcast & ProAV

The AU-VCVF2GJ Viewfinder is successor to the current AU-VCVF1G VariCam Viewfinders, which are highly acclaimed in the cinema production industry. The addition of a newly developed 1080p OLED panel has enabled a high-definition (1920x1080) display. This combines with low latency and sharp, accurate colors to meet the high-end needs of the movie industry for uncompromising image creation. A large-diameter 38-mm eyepiece lens and wide field angle with viewfinder magnification of 0.78x, which are popular with current models, achieve comfortable viewing with Panasonic's unique optical zoom lens inside the viewfinder. Versatile exposure assist and focus assist tools are also featured. Panasonic will continue contributing to video production advances by developing equipment and systems that respond to the needs of the cinema production industry, which is expanding on a global scale. The company will also contribute by supporting high-quality image content as well as efficient production operation.

Microphone Holder

AJ-CVF50GJ HD Viewfinder The AJ-CVF50G 1,5-type HD viewfinder supports the P2 HD series and Studio Cameras. It is equipped with a 1,5-type display which is suitable for a viewfinder.It adopts a new device capable of continuous image display without causing burn-in, which enables users to see the entire picture on the viewfinder at all times, even with their eyes at a distance from the viewfinder.Among the various functions of the CVF50 developed for smooth recording are the quick response suitable for recording sport events and one-touch switching of monochrome and colour mode. Low MagnificationThe use of a large 1,5-type device means lower magnification on the eyepiece. Users can easily see images at any position of their eyes without causing unintended magnification, making it easy to view the entire picture at all times. There is no need to open and close the lens barrel or move the visual point between the LCD and viewfinder.Avoid Burn-inThe newly equipped device does not have burn-in for lifetime. Since images can be displayed continuously, users are able to check the video image through the viewfinder at all times.Quick ResponseThe display achieves high-speed response as fast as CRT and OLED, which is suitable for recording sports events where fast moving subjects need to be captured.One-touch SwitchingUsers can switch between monochrome and colour mode with a single touch of the front button.

RobyHead D1 is a classic Pan/Tilt solution for professional broadcasting, as well as for stationary use in studios, theatres, conference halls and stadiums.The head is specially designed to work with 4K cameras providing 4x3G SDI, 12G SDI and 2xFiber connections for the camera signals. The most typical payload for the head would be a box-size camera, but it has enough power to carry studio cameras and has connections for a prompter at the front. The head has a rigid and stylish carbon-fibre body and provides smooth and precise movements. An integrated power supply simplifies camera connections.RobyHead D1 may be controlled via IP or serial interface, so it can be easily integrated into studio infrastructure or outside broadcast venue and used in remote production.

Remote Control Protocol vsmSnap for Production Switchers AV-HS6000 and AV-HS410

This P2 card offers up to 30Gb of storage capacity. A single P2 card can record up to 30 minutes with the DVCPRO HD or AVC-Intra 100 codec or up to 60 minutes with the AVC-Intra 50 codec. This large capacity provides sufficient recording time even for a handheld camera recorder or portable recorder with two card slots. With an updated generation of internal flash memory on this P2 card, it ensures that high file transfer speeds and secure data transfer are maintained. This memory card is also impact, vibration and temperature resistant to ensure reliability and uninterrupted recording. 

he AJ-PS004 plug-in for Avid Media Composer and Avid News Cutter enables the AVC-LongG import feature.

Pixotope® is a software-based solution for rapidly creating virtual studios, augmented reality (AR), and next generation on-air graphics. This cutting-edge technology utilizes Epic Games’ Unreal Engine to produce photorealistic rendering in real-time.

Reality Engine™ from Zero Density is the ultimate real-time node-based compositor enabling real-time visual effects pipelines featuring video I/O, keying, compositing and rendering in one single software in real-time.

Forget all you know about Virtual Studios.Anything can be accomplished with InfinitySet, from simple virtual sets with fixed cameras to advanced and complex productions involving tracked cameras, external feeds with embedded tracking data and data driven graphics interacting in real-time with the set and the talents.

Many TV and Radio Stations already use several PTZ cameras. However, Tecnopoint is proud to introduce the first track systems totally integrated with the original PTZ cameras. With the "Tuning S" software you can manage both the positioning and movements of the PTZ easily with the thumbnail picture storage. The "Tuning S" software can also be used to improve the managing of the PTZ. With the integration of the dolly and column movements, it is then possible to add unbelievable performance to the studio movements. With the additional panel, DC1 0 is possible to drive the dollies and the columns, making it possible to recreate the results of a sophisticated broadcast studio.

Package to extend your 3 years Warranty to 5 years